Mama Ghanousch

Beyond borders, cultures, ideologies, and religions.

Mama Ghanousch is a cultural production house working across music, storytelling, and media to build connection among global citizens — from Cairo and Berlin outward.

"Baba Ghannoush" has always been served by a mama. We just say it out loud.

About us

Baba Ghannoush is a globally known Mediterranean appetizer with roots across the Levant — Lebanon, Jordan, Syria, and Palestine. Its exact origin story shifts depending on who tells it, but one thing has always nagged at us: a dish so often made by a "baba," not a "mama."

That's where we come in. Mama Ghanousch exists to go beyond borders, cultures, ideologies, and religions — building inclusiveness, cultural exchange, and integration while celebrating diversity at its core. From Cairo and Berlin to every global citizen in between.

We go beyond borders, cultures, ideologies, and religions to promote inclusiveness, cultural exchange, and integration while celebrating diversity at its core.

Our mission

To promote inclusiveness, cultural exchange, and integration — while celebrating diversity at its core.

What we do

Six ways we put culture to work

Music

Music Events

A global music events platform connecting cultures through sound, inclusion, and shared rhythm.

Production

Cultural Production

A cultural production platform creating inclusive stories across food, music, memory, and identity.

Media

Podcasts

A podcast platform sharing diverse voices on culture, identity, and global creative exchange.

Development

Artist Incubator

Supporting emerging creatives through collaboration, visibility, and growth.

Advisory

Cultural Production Consultation

Expert guidance for developing impactful cultural projects, from concept to execution.

Careers

Artist Accelerator

Empowering artists with mentorship, networking, and pathways to sustainable careers.

Current work

Featured projects

Platform

Wasl by Mama Ghanousch

A web-based platform connecting musicians and music professionals across the Arab world — verified profiles, collaboration tools, and opportunity discovery in one place.

Podcast · in development

Tawabil Bila Haddaf ("Spices with No Aim")

A video program hosting participants active in the Arab cultural and artistic scene, using food as an entry point to conversations about identity, belonging, and shared humanity — always going beyond borders, cultures, ideologies, and religions.

Artist

DJ Samaka 🐟

One of Mama Ghanousch's current artist projects, part of our growing roster of creative talent.

Reading

Articles

Amir Eid and Sarah Moulablad performing on stage

Beyond Borders: When Art Connects What Politics Divides

On the collaboration between Egyptian artist Amir Eid and artist Sarah Moulablad, and what it says about art's ability to draw a different map than politics and geography do.

Read the full piece
توليت وسان ليفانت

ما وراء الحدود: ماذا تمثل أغنية "نانو" لتوليت وسان ليفانت؟

عن التعاون الثقافي والفني بين توليت وسان ليفانت، وكيف تعكس الأغنية أن الهويات العربية ممتدة وغير معزولة داخل حدود الدول.

قراءة المزيد
One Empty Seat at Mama Ghanoush

One Empty Seat at Mama Ghanoush

The first thing people notice walking into Mama Ghanoush is the food — the warm bread, the steaming soup, the aroma of spices that feels like home even to those who've never been there.

Read the full piece
Who we are

Our team

Hend Shaheen

Hend Shaheen

Founder & Executive Director
Ahmed Shamakh

Ahmed Shamakh

Head of Planning & Procurement
Majdi Al-Aschkar

Majdi Al-Aschkar

Head of Logistics
Muhamed Saeed

Muhamed Saeed (Kouri)

Director of Photography
Rahma Assem

Rahma Assem

Assistant to the Head of Visuals
Tala Itani

Tala Itani

Partnerships Manager
Yassir Bayoumi

Yassir Bayoumi

Brand Manager
Collaborators

Our partners

Amir Eid and Sarah Moulablad performing on stage
← Back to Mama Ghanousch

Beyond Borders: When Art Connects What Politics Divides

In a world increasingly defined by political, geographical, economic, and social borders, art continues to draw a different map. The collaboration between Egyptian artist Amir Eid and artist Sarah Moulablad is more than a musical partnership—it is a powerful example of what becomes possible when creativity moves freely beyond passports, boundaries, and narrow definitions of identity.

Collaborations like this do more than produce beautiful music. They create shared cultural spaces where different experiences, languages, and artistic traditions meet. They remind us that culture has always traveled more freely than politics, and that artists often build bridges where institutions cannot.

At Mama Ghannoush, this is exactly the kind of creative exchange we exist to support. We believe that cross-border collaboration should not be the exception but the norm. Our mission is to bring together artists, storytellers, musicians, and cultural practitioners from diverse backgrounds to create sustainable projects that transcend geopolitical, economic, and social barriers.

Every collaboration across borders invites us to imagine our region not as a collection of isolated nations, but as a shared cultural landscape enriched by diversity. This is the future Mama Ghannoush seeks to nurture: one where creativity moves freely, collaboration becomes sustainable, and culture reminds us that our connections are always stronger than our divisions.

توليت وسان ليفانت
العودة الى ماما غنوش →

ما وراء الحدود: ماذا تمثل أغنية "نانو" لتوليت وسان ليفانت؟

إن إصدار أغنية نانو، وهي أول تعاون فني يجمع بين الفنان المصري توليت والفنان الفلسطيني سان ليفانت، ليس مجرد أغنية جديدة تضاف إلى المشهد الموسيقي العربي، بل هو تذكير بأن الإبداع قادر على تجاوز الحدود والجغرافيا والانقسامات السياسية. فمن خلال هذا اللقاء الفني بين اثنين من أبرز الأصوات الشابة في العالم العربي، تتشكل مساحة ثقافية مشتركة تجمع بين التجربة المصرية والفلسطينية في عمل واحد يعبر عن جيل كامل.

في وقت لا تزال فيه الحدود السياسية تفرض قيوداً على حركة الأفراد والأفكار، تثبت نانو أن التعاون الثقافي والفني يظل ممكناً وضرورياً. فالأغنية تعكس حقيقة أوسع تتعلق بالإنتاج الثقافي العربي: الهويات ليست معزولة داخل حدود الدول، بل هي ممتدة ومتشابكة وتتغذى من بعضها البعض باستمرار.

بالنسبة لمنصات ومبادرات مثل "ماما غنوج"، يمثل هذا النوع من التعاون جوهر الرؤية التي نسعى إلى تعزيزها. نحن نؤمن بأن التنوع ليس استثناءً، بل قاعدة أساسية للإبداع الثقافي. وعندما يلتقي فنانون من خلفيات وتجارب مختلفة، فإنهم يفتحون المجال أمام جماهير جديدة وحوارات جديدة وأشكال جديدة من التعبير.

لذلك فإن نانو ليست مجرد أغنية، بل نموذج لما يمكن أن يحدث عندما يقرر الفنانون العرب العمل معاً رغم الحدود. إنها تذكير بأن الثقافة قادرة على بناء الجسور حيث تفشل السياسة، وأن الهوية العربية ليست هوية منغلقة أو ثابتة، بل فضاءً مشتركاً يتسع للاختلاف والتعدد والتعاون.

One Empty Seat at Mama Ghanoush
← Back to Mama Ghanousch

One Empty Seat at Mama Ghanoush

The first thing people notice when they walk into Mama Ghanoush is the food.

The warm bread.

The steaming soup.

The aroma of spices that reminds someone of home—even if they have never been there before.

Then comes the laughter that somehow makes strangers feel a little less like strangers.

But anyone who stays a little longer discovers that Mama Ghanoush has never been only about food.

It is about stories.

It is about conversations between people who might never have met anywhere else.

It is about creating a space where differences are welcomed instead of feared, where curiosity replaces judgment, and where every person is invited to belong before they are expected to explain who they are.

I learned this on an ordinary Thursday evening.

I had joined Mama Ghanoush as a volunteer because I wanted to help. I assumed helping meant serving meals.

I was wrong.

That evening, every chair around the long wooden table was occupied—except one.

Near the entrance stood a young man, pretending to scroll through his phone. He was not waiting for dinner.

He was waiting for a reason to believe he belonged.

One of our volunteers noticed him before anyone else did.

She did not ask where he came from.

She did not ask what language he spoke.

She did not ask about his religion, his past, or why he looked so uncertain.

She simply smiled, pulled back the empty chair, and said, "There's a place for you if you'd like to join us."

It sounded like such a simple sentence.

Yet something changed in his eyes.

He sat down.

At first, he barely spoke. He listened more than he talked. He smiled only once.

When dinner ended, he quietly thanked everyone before whispering, "I didn't think anyone would notice if I came."

The following week, he returned.

This time he stayed to help clear the table.

A week later, he joined a storytelling circle.

Soon he was laughing with musicians, photographers, artists, students, refugees, neighbors, and people whose lives looked nothing like his own.

Inside Mama Ghanoush, nobody needed to become the same.

They simply learned to listen to one another.

Meals became conversations. Conversations became understanding. Understanding became trust. And trust slowly became hope.

Months later, another young person appeared at the entrance carrying the same silence, the same hesitation, the same invisible question: "Will anyone notice if I leave?"

Before any volunteer could stand up, the young man who had once stood at that same doorway rose from his seat.

He pulled out the empty chair beside him and smiled. "I saved this seat for you."

At that moment, I understood something no classroom had ever taught me.

Violence does not always begin with anger. Sometimes it begins with isolation, with loneliness that goes unnoticed, with the quiet belief that no one would care if you disappeared tomorrow.

And peace does not always begin with treaties. Sometimes it begins with a shared meal. A story honestly told. Music played between strangers. A conversation that replaces fear with understanding. A chair pulled closer to the table. A simple gesture that says, "You belong here."

That evening, there were no cameras. No headlines. No social media posts celebrating what had happened.

Yet I believe something extraordinary took place—not because every problem disappeared, but because one young person left carrying something stronger than loneliness. Hope.

That is what Mama Ghanoush means to me. Not merely a table. Not merely a meal. Not merely a name.

It is a reminder that communities grow stronger whenever people choose dialogue over division, creativity over prejudice, curiosity over fear, and belonging over isolation.

We often imagine that safer communities are built through policies, institutions, and laws. These are essential. But lasting peace is also built in quieter places—in community kitchens, around shared tables, through art, music, storytelling, and simple human connection.

Every act of violence has a story that began long before the violence itself. If we want different endings, we must begin writing different beginnings.

Perhaps they begin much more quietly. With one table. One conversation. One story. One empty seat... waiting for someone to discover they were welcome all along.

Because every young person deserves more than a second chance. They deserve a place where they know they belong.